Platforms include: Autodesk Flame Premium, Avid Media Composer, and Adobe Premiere.
Picture Head provides multiple platforms for final online editorial. Our massive secure SAN allows for large volumes of uncompressed media that is accessible in multiple edit bays allowing for greater flexibility and speed. Our streamlined data-centric workflow that provides a seamless throughput from creative editorial to final mastering and delivery of product that is both rapid and efficient. We will tailor the online/conform approach to meet the needs of the project.
Our DI Theater is equipped with the very latest in color science technology, featuring the Resolve Advanced Color Correction System. View projected image on the Barco DP2K10S projector or on a Calibrated LG HDR OLED in HDR or Rec 709.
Output to: XYZ for DCP, P3, Rec 709, or HDR.
The system integrates into our central media storage, providing a seamless tapeless workflow from editorial to color correction to visual effects, allowing complete flexibility and efficiency.
Supporting all Cameras and media formats.
Picture Head’s Audio department offers a full range of sound services including sound design, track prep and final mixing. Our studios are equipped for 5.1 mixing and playback rooms featuring the Pro Tools audio system, the gold-standard of the industry. Playbacks are presented on large format screens with HD projection to provide a rich sonic experience. Our audio engineers are among the best in the business specializing in audio sweetening, editing and mixing for some of biggest trailers and TV campaigns in the industry.
Our track-prep and editorial stations for sound design are loaded with an incredible sound effects library with over 100,000 sound effects.
Stage E is world class Theatrical mix stage featuring 7.1 audio featuring a 2-man Icon Mix console with projected image with the NEC NC800C on an 18 ft. screen.
Creative Thinking + Technical Skills
Our Motion graphic design team can provide a wide range of solutions for your project, from paint/composite to international localization.
Our paint and composite artists are among the best in the business for virtually any type of picture fix; signage removal, blood removal, rig removal, and the subtle shades of character alteration.
Our localization department has experience in localizing the most complex graphics into over 30 languages.
We offer an array of services including; Billing Block lay out, original graphic design, 3D Graphics, roto and dirt removal.
Digital Cinema Mastering
A Digital Cinema Package (DCP) is the standard convention accepted worldwide for distributing and projecting movies digitally. Using visually-lossless JPEG-2000 compression, DCPs present each and every frame of your project with pristine clarity in the highest digital screening resolutions available today.
- 2K or 4K Resolution
- DCDM creation
- Encrypted or Unencrypted
- DCP – Playback in DI Theatre
Interoperable Mastering Format - an internationally accepted digital container format with the capability to store your content in high bitrate or mathematically lossless JPEG2000
Streamlined encoding and compression process that produces the cleanest, most reliable file based delivery.
Data Tape Archiving
- LTO based archive storage
- Forensic Watermarking
- Visual Watermarking
- Pro Res
- Uncompressed HD
- Encoding using industries best encoders
- Custom Menu’s